[pe33]Carlos Giffoni
Lo Que Solo Se puede Expresar a Traves Del Silencio y Una Mirada de Ayer
[pe32]Luv Rokambo
[pe31]Inu Yaroh
Takede from Nostradums Live
[pe30]Noring / Day
[pe29]360 Sound
A Scratch on the Surface
[pe28]Hair and Nails
III
[pe27]Shlomo Artzi Orchestra
Pizza Little Party
[pe26]Kangaroo Note
Soundness
[pe25]Fukktron / Hair and Nails
[pe24]Jorge Castro & Carlos Giffoni
Guitarras del Olvido y Pensamientos Dimensionales
[pe23]Naoaki Miyamoto
Live at 20000V
[pe22]Various Artists
Analogous Indirect
[pe21]Prototype Earthborne / Wren & Noring / EHI
Audio Cleansing
[pe20]Cornucopia / Musique:Motpol
60 Years
[pe19]William IX
Dawn Variations
[pe18]Zanoisect / Sistrum
Day Fills Night The Way I Walk / Furukizu
[pe17]Jorge Castro
The Joys and Rewards of Repetition
[pe16]Prototype Earthborne
Wiseman Flux Disintegration
next


360 Sound - A Scratch on the Surface
CD-R



-clearing the dust
-the ninth pawn shop (pt. one)
-is there a splash of hope in a river of sadness
-i know
-polish it (pt. two)
-a dream
-infrequencies
-a new world view
-fixed eye
-back to work we go




360 Sound: Shawn Kerby & Brian Noring

Reviews:
(Dead Angel no.47) Rhythmic chunks of devolved free jazz from Shawn Kerby and Brian Noring. I have no idea what instruments they're playing (some kind of horn and, um, other stuff), but the sound brings to mind bebop musicians stretching out on stage in a forgotten bar late at night when the only people left are drunks too pixelated to care about the strange sounds radiating from the stage. This disc isn't as noisy as many PE releases -- in fact, it rarely strays from pure improv territory -- and some of the songs such as "Is There a Splash of Hope in a River of Sadness" actually approach being soothing. This sounds more like an undiscovered beat record from the sixties than anything "modern." Even more startling, "I Know" features the first vocal I've heard yet on a PE release (at least, the first thing recognizable as actual singing, anyway). The vocal element appears on a couple of other songs, often in hair-raising fashion. Some of this makes me think of Eugene Chadbourne, maybe even Gerald Hawk. Devolved beat jazz crossed with neo-primitivism? Whatever it is, it's strange and exotic stuff. -RKF
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