[pe158]Pet The Tiger
Hail The Traveler
[pe156]Philip Gayle
Mammoth Flower
[pe155]Seeded Plain
Badminton, The Volleys
[pe154]Bryan Day & Dereck Higgins
Woven Territories
[pe153]John Krausbauer & David Maranha
[pe152]Evan Lipson
Echo Chamber
[pe151]Guro Skumsnes Moe & Philippe Petit
[pe150]Brasilia Laptop Orchestra
10 yEars aLive
[pe149]Bill Brovold
[pe148]Illusion of Safety & Z'ev
Temporary Presence
[pe145]Pet The Tiger
Gaze Emanations
[pe144]Ashtray Navigations & Anla Courtis
Protozoic Rock Express
[pe143]Alan Sondheim
Future Speed Future
[pe142]Albert / Day / Kreimer
[pe141]Bill Brovold's Stone Soup
Michael Goldberg Variations
[pe140]Michael Gendreau
Polvo Seran, Mas Polvo Enamorado
[pe139]Hélène Breschand & Elliott Sharp
Chansons du Crépuscule
[pe138]Alan Sondheim / Azure Carter / Luke Damrosch
[pe137]Collision Stories
Those Missing Will Complete Us
[pe136]Ghost In The House
Second Sight
[pe135]Henry Kaiser / Alan Licht
Skip to the Solo
[pe134]Peter Aaron / Brian Chase Duo
[pe133]Alan Sondheim / Azure Carter / Luke Damrosch
[pe131]Many Arms & Toshimaru Nakamura
[pe130]Ben Bennett / Jack Wright
[pe128]Music For Hard Times
City of Cardboard
[pe127]Tetuzi Akiyama & Anla Courtis
Naranja Songs
[pe126]Massimo Falascone
Variazioni Mumacs
[pe125]Auris + Gino
Fantasy Remover
[pe123]Azure Carter & Alan Sondheim
Avatar Woman
[pe122]Various Artists
The Unscratchable Itch: A Tribute To Little Fyodor
[pe121]Nels Cline / Elliott Sharp
Open The Door
[pe120]Pretty Monsters
[pe119]Cactus Truck
Brand New For China!
[pe118]Belcher / Bivins Double Quartet
[pe117]Normal Love
Survival Tricks
[pe116]Ron Anderson / Robert L. Pepper / David Tamura / Philippe Petit
Closed Encounters of the 4 Minds
[pe115]Philip Gayle
Babanço Total
[pe114]Dino Felipe
Sorta' Bleu
Radio Friendly
[pe111]Little Fyodor
Peace is Boring
[pe110]Courtis / Yamamoto / Yoshimi
Live at Kanadian
[pe109]Bob Marsh
[pe108]Tartar Lamb
60 Metonymies
[pe107]Shelf Life
[pe106]A Tomato a Day
The Moon is Green
[pe105]D + D
[pe104]The Mighty Vitamins
[pe103]Smut / OVO
Split 7"
[pe102]Bill Horist / Marron
[pe101]Richard Trosper
The Ocean
No Sleep till Babylon
Damn It!!
[pe97]Emily Hay / Marcos Fernandes
We Are
[pe96]The Machine Gun TV
Live In Japan
[pe94]Mike Pride
The Ensemble is an Electronic Device
[pe93]Jorge Castro
[pe92]Yagihashi Tsukasa
[pe91]Eftus Spectun
The Tocks Clicking
[pe89]Amy Denio
[pe88]Eric Cook
[pe87] Onid & Isil
Devotional Hymns for the Women of Anu
[pe85]Che Guevara Memorial Marching (and Stationary) Accordion Band
[pe84]Day / Boardman
One to Seven
[pe83]Knot + Over
Vertonen 9
[pe81]Blue Collar
Lovely Hazel
[pe79]Jesse Krakow
Oceans in the Sun
[pe78]Diaz-Infante / Forsyth / Scherzberg
A Barren Place of Overwhelming Simplicity
[pe76]Khoury / Shearer / Hall
[pe75]Renato Rinaldi
The Time and the Room
[pe74]Masami Kawaguchi
Live in December
[pe72]Watch the Stereo
[pe71]Modern Day Urban Barbarians
The Endless Retreat
[pe70]The Bunny Brains
Holiday Massacre '98
[pe69]Jack Wright & Bob Marsh
Birds in the Hand
[pe68]Free From Disguise
[pe67]Jad Fair & Jason Willett
[pe66]Baker / Baker / Bloor
Terza Rima

XV Parowek - Periodical Embarrassment
CD-R (Blonie, Poland)

-body warmth
-silent breath
-moment of misunderstanding
-table arrangements
-kung-fu movie dragon rarities

Recorded 10/01 - 1/02

(Eld Rich Palmer no. 11) As far as I know, a Polish sound sculptor Bartek Kalinka aka XV Parówek is the only European name on American Public Eyesore's roster... Accidentally or not, they both are a good match and I hope it will have a continuation in the future. "Periodical Embarrassment" is Bartek's 1st release on Public Eyesore, and as it was with his previous stuff (the split CD-R w/Sistrum on Soulworm), he gives no excuses to amateurs of noise fast foods. No easy listening, but an exciting trip into Bartek's puzzle world. The five tracks from this CD-R confirm me in the conviction that XV Parówek will soon (or he already has) work out his own style in a making noise - Bartek's unique touch to a sound works makes him very recognizable among the cohorts of other noise makers! It is very difficult to explain why he is so remarkable but I think it must be his low-tech approach standing in opposition to the current tendency of constant upgrading one's tech equipment or making a lap-noise (which looks like an armaments race). In this context Bartek's approach to noise is beyond all clichés (but in the others' eyes it may be out of date!). The particular case of "Periodical..." sees him building a track structure by use of noise snippets only - signals, shifting drags, screeches, glitches and lots of distortions. None of the sounds lasts more than a few seconds, but all are in a forefront, it is characteristic of him that he does not lay any backgrounds for further incrustations, just a row of single evoked sounds. The sounds do not seem to be reconfigured - they sound very organically and roughly - no trace of post-production, just straight recording - for a noise aesthetic it must be terrible default, doesn't it! The highlight of the release is the 4th track Table Arrangements - a specific dialogue between a piano and distortions - a high art vs. low art! 'Noise is a disco because it's funny.' - Ward Eldrige/ND. - Krzysztof Sadza
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