[eh?97]L. Eugene Methe and Megan Siebe
Revisited, Revisited, Revisited
[eh?96]Felipe Araya
Punata
[eh?95]Eoin Callery
Oakum
[eh?94]noisepoetnobody
Fissure
[eh?93]Bad Jazz
Daymare
[eh?92]Ernesto Diaz-Infante
My Benign Swords
[eh?91]Larnie Fox
In The Cathedral of Airplanes
[eh?90]Tom Djll
Cassette19
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Isinglass
[eh?88]Das Torpedoes
Qu Nar
[eh?87]Ben Bennett & John Collins McCormick
Pluperfect
[eh?86]Daniel Wyche
Our Severed Sleep
[eh?85]Seeded Plain
Spill Containment
[eh?84]Bad Jazz
Bad Dreams In The Night
[eh?83]Chefkirk & Andrew Quitter
Kaiju Manifestos
[eh?82]Venison Whirled
Tetragrammatones
[eh?81]Gary Rouzer
Studies and Observations of Domestic Shrubbery
[eh?80]Unrepeatable Quartet
Edmonton 2012
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Unpredictable
[eh?78]Lucky Bone
Borderline
[eh?77]Jeffrey Alexander
No Sacred Snow, No Sacred Show
[eh?76]Bruno Duplant / Pedro Chambel / Fergus Kelly
(Winter Pale) Red Sun
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Live
[eh?74]Graves / Kreimer / Wilsey / Bachmann
The July Amalgam
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[eh?72]Cactus Truck
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[eh?71]Various Artists
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[eh?67]Superlith
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[eh?65]Close Embrace of the Earth
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[eh?64]Jean-Marc Montera & Francesco Calandrino
Idi Di Marzo
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Recoupements
[eh?62]Bailly / Millevoi / Moffett
Strange Falls
[eh?61]Jacob Felix Heule & Bryce Beverlin II
Intersects
[eh?60]Foust!
Space Sickness
[eh?59]Dislocation
Mud Layer Cake
[eh?58]Strongly Imploded
Twilight of Broken Machines
[eh?57]CHEFKIRK
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Moist Areas
[eh?55]Eloine & Sabrina Siegel
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[eh?54]KBD(uo)
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[eh?53]Eckhard Gerdes
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[eh?52]Psychotic Quartet
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[eh?51]Federico Barabino
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[eh?50]Soaf
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[eh?48]Ember Schrag
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[eh?47]Massimo Falascone / Bob Marsh
Non Troppo Lontano
[eh?46]Delplanque / Oldman
Chapelle de l'Oratoire
[eh?45]The Epicureans
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[eh?44]Croatan Ensemble
Without
[eh?43]Man's Last Great Invention
None.
[eh?42]Sad Sailor
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[eh?41]Ricardo Arias / Miguel Frasconi / Keiko Uenishi
Object
[eh?40]Andreas Brandal
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[eh?39]Gamma Goat
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[eh?38]John Dikeman / Jon Barrios / Toshi Makihara
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[eh?33]Jesse Krakow
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[eh?30]Bryan Day
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[eh?29]Giraffe
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[eh?28]Nagaoag
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[eh?27]Shelf Life
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[eh?26]Papier Mache
2
[eh?25]Papier Mache
1


Eoin Callery - Oakum
CD-R (Palo Alto, CA)



-Maypole
-Oakum Day 1
-Oakum Day 2
-Oakum Day 3
-From Strands to Strings




OAKUM was Recorded/Mixed on the Stage at CCRMA - Stanford University, December 2016/January 2017

Reviews:
(Vital Weekly) The title is explained on the cover: “Oakum: fibrous strands obtained by plucking and picking apart old ropes, a task often performed during the 18th and 19th centuries by inmates in prisons and workhouses”. Eion Callery plays a shure sm57 amplifying a violin bow in the first piece, then that plus a string in the next three and in the final piece an electric guitar. He also ‘utilizes a series of overlapping automated limited band-pass filtered feedback patches, controlled with SuperCollider. Occasionally the Supercollider patches are further processed - EQ, reverb and Thomas Mundt’s amazing Loudmax limiter - in Logic audio’, which I must admit went a bit over my head, certainly when listening to the music. There is quite some acoustic scraping of objects or such like with that bow and indeed some kind of electronic process going on. In all five of these pieces (the two bookend pieces being the longest at over 17 minutes the other three relatively short) there is an interesting complexity of sounds going on. The way the acoustic parts collide with the electronic is quite effective. In the four pieces with the violin bow it all sounds pretty similar, but the guitar piece is quite different with a sort of open strumming and with massing up these sounds in a fine orchestral way. This is quite a fine release of someone doing his very own take on electro-acoustic music with some highly satisfying results. - Frans de Waard
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