[eh?107]Jaap Blonk
Joyous Junctures
[eh?106]Sindre Bjerga
Hesitation Marks
[eh?105]Patrick Shiroishi / Arturo Ibarra
LA Blues
[eh?103]Seeded Plain
Buffets Close Suddenly
[eh?102]Tania Chen & Jon Leidecker
Live In Japan
[eh?101]Cookie Tongue
Orphan Arms
[eh?99]Bill Brovold
Misty Nights
[eh?97]L. Eugene Methe and Megan Siebe
Revisited, Revisited, Revisited
[eh?96]Felipe Araya
[eh?95]Eoin Callery
[eh?93]Bad Jazz
[eh?92]Ernesto Diaz-Infante
My Benign Swords
[eh?91]Larnie Fox
In The Cathedral of Airplanes
[eh?90]Tom Djll
[eh?89]Leonard * Day * Jerman
[eh?88]Das Torpedoes
Qu Nar
[eh?87]Ben Bennett & John Collins McCormick
[eh?86]Daniel Wyche
Our Severed Sleep
[eh?85]Seeded Plain
Spill Containment
[eh?84]Bad Jazz
Bad Dreams In The Night
[eh?83]Chefkirk & Andrew Quitter
Kaiju Manifestos
[eh?82]Venison Whirled
[eh?81]Gary Rouzer
Studies and Observations of Domestic Shrubbery
[eh?80]Unrepeatable Quartet
Edmonton 2012
[eh?79]Stefan Roigk
[eh?78]Lucky Bone
[eh?77]Jeffrey Alexander
No Sacred Snow, No Sacred Show
[eh?76]Bruno Duplant / Pedro Chambel / Fergus Kelly
(Winter Pale) Red Sun
[eh?74]Graves / Kreimer / Wilsey / Bachmann
The July Amalgam
[eh?73]Sky Thing
Virgin Journalist
[eh?72]Cactus Truck
Live in USA
[eh?71]Various Artists
Hammer, Anvil, Stirrup
[eh?70]Alice Hui-Sheng Chang, Park Seungjun and Jin Sangtae
Live at Dotolim
[eh?69]Edward Ricart & Tim Daisy
Yiu Ja Ley
[eh?68]Chagas And Schafer
Gesture To The Declining Sun
Plasma Clusters
[eh?66]Jeff Kaiser / Nicolas Deyoe
Chimney Liquor
[eh?65]Close Embrace of the Earth
At the Spirits Rejoice Festival
[eh?64]Jean-Marc Montera & Francesco Calandrino
Idi Di Marzo
[eh?63]Un Nu
[eh?62]Bailly / Millevoi / Moffett
Strange Falls
[eh?61]Jacob Felix Heule & Bryce Beverlin II
Space Sickness
Mud Layer Cake
[eh?58]Strongly Imploded
Twilight of Broken Machines
we must leave the warren
Moist Areas
[eh?55]Eloine & Sabrina Siegel
Nature's Recomposition 33
Any Port In A Storm
[eh?53]Eckhard Gerdes
!Evil Scuff Mud
[eh?52]Psychotic Quartet
[eh?51]Federico Barabino
Can You Listen To the Silence Between the Notes?
The Fruit Witch of Ancient Salamander
[eh?48]Ember Schrag
Jephthah's Daughter
[eh?47]Massimo Falascone / Bob Marsh
Non Troppo Lontano
[eh?46]Delplanque / Oldman
Chapelle de l'Oratoire
[eh?45]The Epicureans
A Riddle Within a Conundrum Within a Game
[eh?44]Croatan Ensemble
[eh?43]Man's Last Great Invention
[eh?42]Sad Sailor
Link to the Outside World
[eh?41]Ricardo Arias / Miguel Frasconi / Keiko Uenishi
[eh?40]Andreas Brandal
This Is Not For You
[eh?39]Gamma Goat
Beard of Sound, Beard of Sand
[eh?38]John Dikeman / Jon Barrios / Toshi Makihara
We Need You
[eh?37]David Moscovich
Ass Lunch
Four Plus One
I Manage To Get Out by a Secret Door
Dirty Realism
[eh?33]Jesse Krakow
World Without Nachos
Wave the Old Wave
[eh?30]Bryan Day
Four Televisions
Hear Here
Yama Labam A
[eh?27]Shelf Life
[eh?26]Papier Mache
[eh?25]Papier Mache

LSJ - Misty Nights
C60 (Austin)

Side A:
-Rayon Gingham
-Video Pirate
-SVU in SUV at SVT

Side B:
-Pants with Shit-ton of Pockets
-Dead Fog
-Dead Fog II: The Chirping

LSJ: Lisa Cameron, Shawn David McMillen and Josh Ronsen

(Lost In A Sea Of Sound) LSJ, an acronym of the first initials for Lisa Cameron, Shawn David McMillen and Josh Ronsen. Misty Nights is a recording of their creative consciousnesses, combined and tangled with ends frayed. Traditional music is absent, pure sound has found friendly compatriots, we listen in. If sonic components could relax drinking coffee and have a conversation, Misty Nights might be a product of this meeting. There is a direct connection to early industrial music being emitted by LSJ. Rattling, creaking, clanging, static feedback, bass, human voices, all are present. The difference from artists like SPK, stretching the length of time to LSJ, is nothing seems rushed or manic, like it did in the past. What ever term used to describe it, evolving, loss of cohesion, the "change the world industrial hammer pounding" has subsided. Misty Nights possesses impressive patience, the aural world unfolding before our ears. This is all just on the first side. The flip changes tone starting with what sounds like saxophone played in some abandoned sonic test facility. Spirits have lingered and psycho-kinetically manipulate old equipment, adding to the eerie symphonic movement. An analog magnetometer continually pins red, the echoing clatter filling the emptiness with old life. Maybe this was a past venue for late seventies harmonic uproar, now breathing in a future time. Releases on eh? Records out of Richmond, California. Number ninety eight in the eh? Records catalog. LSJ is a long time project from Austin Texas. - Shawn David Mcmillen

(Cassette Gods) LSJ embody pretty much every explorative element that Eh? Records specializes in promoting, blending multiple field recordings of ambiance and percussive toil, electro-acoustic feedback, disassociated sound clips, and tape processing, all without ever showing the head or tail of any one beast, resulting in a robust sound ecosystem to get lost in, in different ways, with each listen. On “Misty Nights”, a series of sonic vignettes is patiently strung together. Hazily, slippery, an atmosphere of comfortable solitude in post-apocalyptic emergency room scavengings reveals itself. Impervious to superficial drama, the search wades through minor disturbance and rubble with clinical, practiced ambivalence. - Jacob An Kittenplan

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